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| OPENING
NIGHT + RECEPTION: SUNSETS |
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| Sunsets,
the first feature by filmmakers Michael Aki and
Giant Robot’s Eric Nakamura, opens the festival
with a brand new cut. Premiered as part of the Class
of 1997 at the San Francisco International Asian
American Film Festival over a decade ago, Sunsets
has never been commercially released. ID Film Fest
presents this rare opportunity to look at this first
feature by two talented filmmakers. |
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| Shot
on grainy black and white 16mm film, the very medium
of rebel cinema, Sunsets chronicles the ennui, drunken
bouts and petty crimes of three young men, a white
trash, a Hispanic and a Japanese American (played
by filmmaker Aki himself) growing up in Watsonville.
The film is very much a coming-of-age story that
is compelling in its purity and rawness. |
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| Smart,
funny and irreverent, this little seen film shows
a rare slice of Asian American cinema never been
attempted before. A critic has asserted that the
film is “smarter and more credible than anything
Gregg Araki has come up with.” |
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| Sunsets
is preceded by “Seikaku,” a compelling
documentary short about a Japanese tattoo artist
in Los Angeles. The short was produced as a student
project for UCLA”s Ethnocommunications program. |
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| A free,
light reception will follow this opening program! |
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